An exhibition Robert Irwin works between 1960 and 1971, marking the first exhibition of Irwin’s work mounted by Pace since the artist’s death in 2023 and his first posthumous presentation in California. On view from April 5 to June 7, the show will shed light on the most prolific period of Irwin’s career—during which he began moving away from object-based art, setting out to create non-representational works centering on questions of perception.

Reza Aramesh Fragment of the Self Night Gallery, Los Angeles, CA April 11 - June 28, 2025 Fragment of the Self is an exhibition of new...

For the past several years Robert Russell has painted still lifes of teacups and Allach Porcelain figurines. His latest series, named Stateless Objects depict Judaica—kiddish cups, havdalah sets, challah platters—now housed in public or private collections, where Jewish communities flourished for centuries across North Africa, the Middle East, and Central Asia.

Lauren Mendelsohn-Bass’ solo exhibition, Fun and Games, explores the nostalgic longing for an idealized world. Her work takes the viewer on a journey through a world of superficial reality where artificially alluring and nostalgically innocent context marks darker thought, ideas and actions. Through the appropriation of pop imagery and reference to classic childhood games, her paintings examine today’s culture where truth is fluid.

Proof of Concept by Jon Rafman features an installation that reimagines television for the AI age. Building on the artist’s long-standing exploration of digital culture and virtual worlds, Rafman has created a living, mutable stream of music videos, animations and experimental content – a hypnotic mirror of our digital era. Blending the collective viewing experience of MTV’s golden age with new technologies, Proof of Concept investigates our evolving relationship with artific

Ian Davis offers us a GOD’S EYE VIEW of THEM, those rarified men who pull the invisible strings that dictate the movements of Big Government, Big Pharma, Big Agra, Big Science, and so on. 

Developed from the experience of witnessing the loss of their family’s home due to the Mountain Fire, Piper Snowber created this installation, ritual, and performance to initiate a conversation around climate grief, to deepen connection with the Earth and process the changes within it. While acknowledging the devastation that fire has caused, this piece explores the sanctity of fire and challenges our separation from it.

Until the morning of November 6th, 2024, the objects on display were tools for living and creating. On that day, the preternatural forces of the Mountain Fire brought them into another state of being, and our community of Camarillo joined millions of people, plants, and animals around the globe who have undergone a radical transformation as a result of catastrophic natural disasters.

Diary of Flowers: Artists and their Worlds The Museum of Contemporary Art, Los Angeles March 9, 2025 – January 4, 2026 Text Source:...

A special look at Gustave Caillebotte: Painting Men is the exhibition of works by the French Impressionist painter, often overlooked and dismissed by his contemporaries as "a millionaire who paints in his spare time." Join art scholar Ignacio Darnaude (@breakingthegaycodeinart) as he gives an insightful tour of the exhibition and the homoerotic imagery and codes contained within the works based on his years of research and outlined in his article for OUT Magazine.